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Professor Nazneen Rahman
Geneticist and doctor specialising in cancer gene discovery Professor Nazneen Rahman is head of the Division of Genetics and Epidemiology at the Institute of Cancer Research and head of the Cancer Genetics Clinical Unit at the Royal Marsden NHS Foundation Trust.
Thousands of families throughout the UK are participating in her research, which has been highly successful in identifying genes that cause cancers in women and children. She has used these discoveries to develop gene tests and clinical protocols to provide better treatment and screening options for people at increased risk of cancer, and is currently developing new pathways within the NHS to make gene testing accessible to more patients.
She also provides advice to clinicians from across the world about rare cancer genetic syndromes.
She qualified in medicine from Oxford University in 1991. Rahman sees herself as an “accidental scientist”. As a junior doctor when pregnant with her son, she decided to do a PhD in Molecular Genetics, which she completed in 1999. She completed her Certificate of Completion of Specialist Training in Clinical Genetics in 2001.
Still I Rise
You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I’ll rise. Does my sassiness upset you? Why are you beset with gloom? ‘Cause I walk like I’ve got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I’ll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don’t you take it awful hard ‘Cause I laugh like I’ve got gold mines Diggin’ in my own backyard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I’ll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I’ve got diamonds At the meeting of my thighs? Out of the huts of history’s shame I rise Up from a past that’s rooted in pain I rise I’m a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that’s wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.
Below is a list of 500 Female Emcees and the first thing that everyone reading this should know is that the list is not complete. To be honest there’s more than 500 names, much more, but still the list is not complete nor will it ever be. There are too many places and spaces that I have never been nor have the incredible artists like Aisha Fukashima the Raptivist, Mad-lines, Aima the Dreamer, Raw G,Ximbo, Invincible and D’Labrie who over the past year contributed greatly to this list.
The list is not complete even as we have other wonderful lists like; the Illest Female Rappers,Women of Hip Hop, Female Rappers Tumblir, The Female Rappers Network or more recently Patrick McNease‘s Ultimate Female Emcee List. If we really think about it, we don’t want this or any list to be complete. There will always be more emcees to add as long as this culture call Hip Hop is alive, well and is global. If the list stops growing Hip Hop stops growing..
With that being said, the reason why the list came about in the first place was out of frustration and a realization that many within this industry , in particular my male brethren needed to be enlightened.
The female voice in Hip Hop has played an important role in the continued success of the culture since its early days.
Groundbreaking artists like Roxanne Shanté, Sha-Rock, Sister Souljah, Queen Latifah, and MC Lyte paved the way for the following generation of femcees like Lauryn Hill, Missy Elliott, Lil Kim, Foxy Brown, Eve, and then eventually Nicki Minaj, Iggy Azalea, Azealia Banks, and Angel Haze.
While women in Hip Hop have produced chart topping singles and classic albums over the last three decades, major labels are still not signing the lyrical ladies at the same rate as their male counterparts.
Evidence of this difference is the fact that in 2010 only 3 female rappers were signed to a major label record deal; at one point there were 40. Subsequently, there was not one solo album by a female rapper that broke into the top 10 on the Billboard 200 album chart in 2013.
(CNN) – The women of the year helped bring the economy back from the brink, worked against tyranny, and championed equality, education and justice. Most of all, they helped open our eyes to how much remains to be done.
If 2012 was the year most of us first heard about the 14-year-old Pakistani girl, it was 2013 when we learned nobody could silence her, especially not the cowardly Taliban men who tried to kill her.
Malala had become a vocal advocate of the right of all girls to an education, a frightening prospect for the Taliban. In October 2012, machine-gun toting extremists walked onto a school van, asked for Malala, then shot her in the face.
Instead of intimidating her, the Taliban turned her into their own worst nightmare — a powerful girl more admired and articulate than ever.
This year we found that Malala’s impact is just beginning. As a leading candidate for the Nobel Peace Prize, her advocacy for girls inspires hope around the world. And she’s just getting started.
Nadezhda Tolokonnikova of Pussy Riot
What is it about macho politicians who get so scared of brave women?
In Russia, President Vladimir Putin’s suppression of the political opposition spurred an unlikely force, the defiantly named punk rock group Pussy Riot. The female band protested Putin’s increasing authoritarianism. When five of them broke out into an anti-Putin song, “Punk Prayer,” at Moscow’s main Orthodox cathedral, two of them — Nadezhda Tolokonnikova and Maria Alyokhina — were arrested and put in prison.